Childish Gambino This Is America Clean Video

NEW YORK -- Childish Gambino's This is America video tackles racism and gun violence, complete with blood splatter. The performance by actor-writer-musician Donald Glover has gotten a lot of attention on social media since its weekend debut.

A smiling, shirtless Gambino -- Glover's Grammy-winning alter-ego -- dances throughout most of the video, sometimes with backup dancers dressed in clean-cut school uniforms, but that jaunty image is juxtaposed with shocking scenes of him shooting a hooded black man in the head and gunning down a black choir.

He sings: Yeah, this is America/ Guns in my area/ I got the strap/ I gotta carry 'em, as scenes of chaos and violence unfold in the background amid the flashing lights of a police car. At other points in the song, he addresses a black man's place in the world. At the video's end, he appears to be running for his life, chased by a white mob.

This Is America: Theories Behind Childish Gambino's Satirical Masterpiece

CBS San Diego affiliate KFMB highlighted reaction on social media ranging from those calling it brilliant social commentary to others decrying it as anti-gun propaganda.

Trent Reznor of Nine Inch Nails wrote on Twitter, I can't remember the last time I watched a music video all the way to the end, let alone one five times in a row. Incredible work!

I can't remember the last time I watched a music video all the way to the end, let alone one five times in a row. Incredible work! #ThisIsAmerica— Trent Reznor (@trent_reznor) May 6, 2018

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It has so many layers and layers and layers. College courses could be taught on this video, said the writer and activist Shaun King, who also called it One of the most beautiful, painful, honest pieces of art I've seen in my entire life.

One of the most beautiful, painful, honest pieces of art I’ve seen in my entire life. “This is America” encapsulated the Black Experience with song, dance, melody, tone, facial expressions, eyes, shocking violence, humor, beauty, and so much more. https://t.co/uEapN4E6It— Shaun King (@ShaunKing) May 6, 2018

But other critics blasted a message they saw as anti-Second Amendment and as fueling rather than confronting the problems of America's cities. How do we solve problems plaguing the inner cities, like Chicago, when this kind of #ThugLife art permeates the culture? one wrote.

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Song Title: This Is America (edited for Twitter limits) See if you can discern the message👇and then ask yourself: How do we solve problems plaguing the inner cities, like Chicago, when this kind of #ThugLife art permeates the culture? h/t @ThomasWictor pic.twitter.com/UUnIccS4DV— Boston🇺🇸Bobblehead (@DBloom451) May 7, 2018

Gambino made his Grammy stage debut earlier this year after being nominated for five awards, including album of the year and record of the year. He won a Grammy for best traditional R&B performance this year for his song Redbone.

Glover's Emmy-winning FX show Atlanta has its Season 2 finale Thursday. He also plays Lando Calrissian in Solo: A Star Wars Story, in theaters on May 25.If you search for “This Is America” on Twitter, you find not only a gushing river of well-deserved praise for Donald Glover’s new work, which has quickly become the most talked-about music video of recent memory. You also find Trump supporters using the moment to spread their messages. The hashtag #ThisIsAmerica sits next to a rant about the deep state. It sits next to a sneering meme about Hillary Clinton. It sits next to a picture of white pioneers, shared by a “European rights activist, ” who says, “Most of the people who built America looked like this.”

Childish Gambino: This Is America

Trending hashtags get hijacked by unsympathetic causes as a matter of course, but Glover knew what he was getting into with the name “This Is America.” The defining of a nation is the essential task of politics, and Glover’s definition has now been made clear. America is a place where black people are chased and gunned down, and it is a place where black people dance and sing to distract—themselves, maybe, but also the country at large—from that carnage. America is a room in which violence and celebration happen together, and the question of which one draws the eye is one of framing, and of what the viewer wants to see.

). “This Is America” brings those careers together, but more intriguingly, it highlights Glover’s specific assets—his physical performance chops, his conceptual vision, and his perceptiveness about his own fame. The message here is not an unfamiliar one, extending a tradition—spanning “The Revolution Will Not Be Televised” to

Of interrogating the relationship between entertainment, race, and racism. But the searing and idiosyncratic way that message is delivered comes off as specific to Glover.

This Is America Tour, Childish Gambino

, Glover’s facial expressiveness and his bodily limberness get sidelined—his character, Earn, is glassy-eyed and repressed—but for “This Is America, ” those traits enable a wildfire shirtless dance routine. The video’s version of Glover more recalls Troy on

, a washed-up quarterback whose personality is a binary set of defeated deadpan and happy-go-lucky exaggeration. For “This Is America, ” Glover intermittently bugs his eyes and freezes his form. Or he goes liquid, pulsating his shoulders as if they’re the gills of a beached fish. At the start, he contorts his body into a goofy squiggle as he shoots a gun into the back of a man’s head. His pose resembles the canonical caricature of Jim Crow.

The music itself is more art collage than song, its tunefulness a means rather than an end. Over a bustle of merry chants, foreboding bass, and James Brown yowls, Glover paraphrases the mode of popular hip-hop. Trending rappers drop by with their signature adlibs—“skrrt, skrrt” goes Slim Jxmmi—and Glover strings together keywords:

Childish Gambino's 'this Is America' Video Explained

. The video clarifies the semi-satirical meaning here. Glover and a troupe of school kids perform choreography derived from viral videos and historical images of black performance, and Hiro Murai’s camera follows them often at an unnervingly indifferent midrange distance (Murai is one of Glover’s chief collaborators on

). A frenzy of pursuits, riots, and shootings unfolds in the margins. The song and dance routine is partly a respite from, and partly an accompaniment to, the chaos.

In this, Glover certainly isn’t the first artist to suggest that black popular entertainment can simultaneously work as minstrelsy, appeasing a racist system, and as a gas valve of joy for people crunched by that system. Nor is he the first to describe the psychic tax of this state of affairs, seen both when Glover’s character wearily lights a joint and when, in some other space that may well signify his subconscious, he runs in terror from a white mob. But Murai’s eye and staging and Glover’s performance are together so stylish and surreal that the message is made newly raw. Jarring use of empty space, contrast, and timing keep every frame stark and alive.

Clean Ram568: Create A Medium Side Profile Shot Colored Digital Line Art Render Of Childish Gambino, In 'this Is America' Video, Holding A Rope, In The Style Of Artists Like Russ Mills, Sakimichan,

Still, the response has been remarkable. Instant acclaim arrived not only from the hip-hop world, but also from pop and rock stars like Lady Gaga and Trent Reznor, the latter of whom broke a Twitter silence to rave about having watched the video five times in a row. Such plaudits almost necessarily add another meta dimension to the video, and to Glover’s evolving public image. In his early, unwieldy Childish Gambino songs, he worked through the confusion of being “the only black kid at a Sufjan concert, ” which is to say, a black kid who gravitated to white hipster spaces.

And his 2016 funk album dramatically redrew that picture, but still he’s often spoken about in odd ways. “He is the prototype for people like me who find the Drakes and Michael B. Jordans of the world a little too clean-cut and remain unmoved by the bad-boy swagger of rappers like Future and Travis Scott, ” wrote Sesali Bowen in a controversial

That Glover has been held up as a figure of contrast, of in-between-ness, may have given him the sense of perspective—or rather, the sense of being watched—that makes “This Is America” so potent. But it will also invite sharp questioning, like about whether he is criticizing the rap tropes his song invokes, or overly implicating black people in their own suffering. After all, it is he, not a white person, who pulls the trigger on the man at the beginning, and later, on a gospel group. But it seems safe to say he’s not here to scold. “Y’all are forgetting what rap

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Recently. “Rap is ‘I don’t care what you think in society, wagging your finger at me for calling women “bitches”—when, for you to have two cars, I have to live in the projects.’”

Similarly, some viewers have objected to the violence on-screen as sensationalistic use of real traumas. The counterargument would be that the casualness with which Glover guns down a church choir, echoing the massacre in Charleston, is exactly the point. The viewer may well be triggered by the sight—or they may, like the song, not lose a beat. Glover’s work here, as often in his career, is partly about its own reception. Whether in the way he widens his eyes or pastes on his grin, he conveys total

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