AGT loves putting Heidi Klum in danger. This week on AGT: The Champions, scary magician Miki Dark involved both Heidi and host Terry Crews in a terrifying trick involving a knife and a blindfold.
Heidi took to Instagram afterward to ask, “Why always me?” It’s true that Heidi has been the guinea pig in the past. Let’s check out these suspenseful danger acts out below, shall we?
, magician Miki Dark asked Heidi and Terry to participate in a trick that involved throwing a knife at Heidi’s chest while he was blindfolded.
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Heidi was clearly terrified when she realized what he was going to do, and let out an extended scream that annoyed fellow judge Simon Cowell. After the performance, Heidi thanked the magician for not killing her. We’re glad it all worked out, unlike Ben Blaque’s recent crossbow routine.
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In Season 13, danger performer Aaron Crow called Heidi Klum and guest judge Ken Jeong onto the stage for a nail-biting performance. He placed an engagement ring inside an apple, which he then had Ken hold on top of Heidi’s head.
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Aaron then shot an arrow through the apple and pinned the engagement ring to a target. There was a funny moment where Ken pretended to propose to Heidi, and they shared a kiss. But you could tell how freaked out they were by the whole routine.
Do you believe in ghosts? Did you see Mike going crazy on the stage and spooking everyone because if you haven’t, you are seriously missing out.
But even though Heidi has nearly died on stage because of danger acts, she’s not against them entirely. She gave the Golden Buzzer to Deadly Games last season on
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If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.Welcome to the Judge Cuts round of America's Got Talent, where we see how many of those contestants who wowed us during their auditions were just one-trick ponies. 18 will enter, but only seven advance.
With so much pressure on and so much to do, the show welcomed a special fifth judge (no, not me and I'm totally bitter about it). Ken Jeong slid into the center of the dais between the ladies. He was even given a golden buzzer, which could send an act straight through to the live shows... and reduce the available slots to six for the rest of the acts.
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It was a brutal night of auditions, and there were some mishaps along the way. Singers singing out of key is one thing, but a stunt act dropping one of its members from a perilous height is genuinely dangerous. But would such a mishap destroy trapeze artist pair Duo Transcend's chances of advancing? And then there was Heidi Klum and Ken Jeong, shaking perilously on stage as a madman on a spinning platform prepared to shoot an arrow at them. Only AGT!
Fair warning, since I'm safe at home, I'm probably going to be a little harsher than my colleagues Howie Mandel, Mel B, Ken Jeong, Heidi Klum and Simon Cowell. But I might be nicer, too. Maybe. For this stage of the competition, it's just about getting through to the next round, so I'll give my vote alongside the judges. Each night, I'm gonna rank them from worst to first to see who emerges as my Top Seven each night.
Mel got in trouble, and totally threw off Oscar's rhythm when she buzzed him. This time, though, it sounded more like a dog howling than actually singing in key, so I'm kind of with her there. This novelty has run its course.
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Another act with a short edit, Andrew didn't really do anything to stand out even from the original track or other more emotionally connected singers still in the competition.
We never saw this the first time around, but it looks pretty limited as if the act is just about Jack's pain threshold. The guys jumped onto trampolines covered in mousetraps and tasers ... again. So, what was the point?
This time, the 11-year-old took us to the jungle for her animal impressions. This act is so weird, because it absolutely makes sense for this show but at the same time it absolutely makes no sense at all. I could see it at a school talent show, but to think of it competing for a million dollars ... I'm just not wrapping my head around it, even though she is quite good at mimicking these various animal sounds.
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Unfortunately, the addition of hip-hop clothing didn't do enough to change this routine for me to want to see more of it. Filberto did the same hip thrust moves we saw the first time, and Celina just kind of stands there and gyrates. If they had more to offer in their roster of moves, this might be an act worth advancing, but I think they've reached their limits.
I appreciated the shirt change by pulling the gold square off, but for a group that made their shtick dancing in high heels, they sure didn't do much of that. Even after they got them on, it was more strutting than any actual challenging dance moves. Look at women in Latin dance styles to see what kinds of things can be done in these shows. The flips are nice, but they could be doing amazing slides and spins and other stunts. And without the heels, I just wasn't blown away by their dancing, it was fairly basic hip-hop style with very few stunts or unique visual presentation. They're just too limited for my taste.
Another short edit for an act we didn't see at all during the audition rounds, but it looked like some pretty cool balancing with objects and fire and other dangerous elements. It would have been nice to see more, but the producers have spoken!
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This was an act I really needed to see step it up in this next round to believe in its potential as a headline act. This remains one of the strangest acts to ever make it on to the AGT stage, and I just didn't see enough here to make me believe people would pay a ticket price to watch him. It was a bit repetitive from what we saw last time, even the video elements. He's very good at what he does, and as part of a variety show of unique talents like this, it could work. But by himself, it's just not dynamic enough.
Short-changed again by the edit, this couple appears to have a nice fluidity of movement, and there's a grace to how Regan moves in the air, but the judges pointed out a serious lack in chemistry. That said, it's pointless getting too excited, as there's no way they're advancing after we just saw like five seconds of them.
I wish her set had been longer, but Carmen is genuinely funny. It's slice of life humor, but she has a nice dry delivery that really sells the humor in the everyday. Unfortunately, it felt like she was just starting to hit her rhythm when her set ended -- either that or the producers gave her a crappy edit. Either way, it didn't do her any favors.
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She faltered a bit on the higher notes, which didn't come as a huge surprise. Her audition piece had a limited range, and yet she seemed to be hitting most of the fullness of her voice. That said, Christina has a very powerful instrument within her range, and there's nothing wrong with having a lower register as a woman singer. She injected this song from The Greatest Showman with heart and passion, and it was wonderful to see her so alive and in her element.
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Producers really wanted us to see nearly blind trapeze artist Tyce Nielsen drop his wife Mary Ellen Wolfe-Nielsen, and he did. She fell like 20 feet, prompting gasps from the audience and judges alike while they waited with concern to see if she'd bounce back. And she did. She even asked if she could try it one more time. It's not 'America's Got Perfection, ' this is 'America's Got Talent, ' it's okay, Jeong said to excuse the mistake. Regardless of the mishap, the duo elevated their game and really brought a stunning routine to the stage, made even more impressive by
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