The Most Hated Woman in America is an American biographical drama film directed by Tommy O'Haver and writt by O'Haver and Ire Turner. It stars Melissa Leo as Madalyn Murray O'Hair.
In 1995, Madalyn Murray O'Hair is kidnapped along with her son Garth and granddaughter Robin by three m: David Waters, Gary Karr and Danny Fry. The three abductees recognize Waters.
The sce shifts to the early 1960s. Madalyn has become a single mother of two sons, Garth and the older William J. Billy Boy Murray, Jr., and is a proud atheist, which outrages her Christian parts. Madalyn is outraged to learn that Billy is being forced to recite the Lord's Prayer in school, so she launches a campaign to ban school prayer, ultimately resulting in a Supreme Court ruling making mandatory prayer in schools illegal. She quickly becomes labeled one of the most hated figures in America. She forms the atheist advocacy group American Atheists, recruiting Garth and Billy. Billy's devotion to his mother destroys his relationship with his wife, and he becomes a bitter alcoholic after she divorces him. He evtually quits drinking and becomes a born-again Christian, causing a deep rift with Madalyn.
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Madalyn begins profiting from spirited debates with a local pastor, putting the money in offshore accounts. She hires Waters to manage the American Atheists branch; he becomes her trusted ally, especially after he confides in her about having murdered someone as a young man. Evtually, Waters has a falling out with Madalyn and is fired from American Atheists. In 1995, he demands one million dollars from Madalyn, which she refuses. Waters devises the kidnapping as a way to get the money he feels she owes him. Reporter Jack Ferguson begins covering the kidnapping and questions Billy. He gets a sketch artist to draw a picture of Fry. Ferguson joins forces with Madalyn's assistant and they slowly unravel the plot.
Back at the safe house, Karr kills Robin after she refuses his sexual advances. Panicked, Waters and Karr th kill Garth and Madalyn. Finally, Karr kills Fry after forcing him to dismember the bodies. Ferguson finally catches Waters and gets him to confess to the triple murder. Waters and Karr are both arrested and tried. Closing text reports that Karr received a life stce; Waters received 68 years but died in prison in 2003. Billy now chairs the Religious Freedom Coalition and works to return mandated prayer to public schools, and the American Atheists continues to exist.
On July 8, 2015, it was reported that Netflix would finance and release The Most Hated Woman in America, a film dramatizing the life of Madalyn Murray O'Hair. It would be directed by Tommy O'Haver from his own script and star Melissa Leo as O'Hair.
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On March 24, 2016, it was reported that The Most Hated Woman in America had begun filming in Los Angeles the previous week.
The Most Hated Woman in America received mixed reviews from film critics. It holds a 36% approval rating on review aggregator website Rott Tomatoes, based on 22 reviews, with a weighted average of 4.62/10.
Peter Debruge of Variety gave the film a negative review, writing: Seems to fall right where you'd expect: slightly better than your average TV movie, while not as good as your typical theatrical release.‘The problem here is that most of the movie’s playful snap is completely at odds with the vicious conclusion’ … Melissa Leo in The Most Hated Woman in America. Photograph: Beth Dubber/Netflix
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A gripping performance from the Oscar-winner isn’t enough to save a tonally awkward take on the true story of a woman taking on religion in 50s America
T he Most Hated Woman in America, a biopic of Madalyn Murray O’Hair, wins the award for inspiring my swiftest personal pivot from film-watching to Wikipedia-checking. The instant the closing credits hit I raced to my laptop with supersonic speed: wait, did this
This is by no means evidence of a good movie. Debuting at the South By Southwest festival before its dump in Netflix’s feature film graveyard, this collection of facts and unexpected cultural touch-points certainly has enough fascinating moments to hold one’s interest. But its desultory storytelling and seesaw of tonal shifts is frustrating in a way that so many poor biographical films tend to be. It’s a pity, as O’Hair is a heck of a historical figure and Melissa Leo is, in many scenes, quite gripping.
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The spine of the film is set in the 1990s, when O’Hair, one of her sons (Michael Chernus) and granddaughter (Juno Temple) are violently kidnapped by one David Waters (Josh Lucas) and two accomplices he apparently picked up at a Coen Brothers casting call. Waters is known to the trio, but it’ll take some time to find out how, and it’ll also take time to realize what makes O’Hair so special, apart from being a pottymouth granny. Through flashbacks starting in the 1950s we watch as free-thinking O’Hair emerges as the unlikely individual to rid America’s public schools of organized prayer.
Her early years as a proud nonconformist are presented with humor and sympathy. She is an unwed mother (with another on the way, from a different absentee father) living with a classic reactionary father who seems not to understand the lessons in the Bible he loves to clutch. She humiliates the family by aiding a desegregation march, and finally puts her law degree to use when she realizes her son is subject to classroom evangelism.
Her success in the supreme court (and subsequent Look magazine profile with the film’s title) leads to the creation of an advocacy group (American Atheists) and television appearances. (She was on Johnny Carson’s Tonight Show the same night as Steve Martin? I gotta Google that!) Her intent is pure, but there’s no harm in making a buck, so she hits the lecture circuit opposite a holy-roller preacher (Peter Fonda). Next thing you know she’s doing some “creative accounting”, and it’s this stashed dough that leads to the present-day storyline.
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Director Tommy O’Haver maintains a fast pace and an insider-ish, adroit attitude toward all social encounters. (Adam Scott is a newspaper reporter on the verge of a scoop, but his dummy editor-in-chief has no vision!) We may be seeing the first wave of film-makers aping the style of David O Russell, a sad state of affairs if one is of the opinion that Russell is a lesser Martin Scorsese cover band.
The problem here is that most of the movie’s playful snap is completely at odds with the vicious conclusion. Moreover, the scenes with the most resonance are the simple mother-son moments between Melissa Leo and her eldest, played by Vincent Kartheiser. It helps when you have two really strong performers like that. Unfortunately these no-fuss moments make it abundantly clear that the rest of the picture, for all its movement and soundalike music cues, has precious little to say other than “isn’t this woman wild?” As slapdash as The Most Hated Woman in America is, it failed to make me a believer.If you’re a fan of historical biographies on the big screen, you realize that they’re rare enough to make you wince when one goes awry. So no other filmmaker will, in all likelihood, ever get a shot at “getting it right.”
Madalyn Murray O’Hair was, as the Look Magazine cover said, “The Most Hated Woman in America.” And she comes to furious, foul-mouthed life in Oscar winner Melissa Leo’s performance of her in the film of that title.
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Casting Josh Lucas as the ex-hustler/ex-con and ex-employee who kidnapped her to steal her cash is spot on, too. Adam Scott plays the only newspaper reporter who cared enough to look into her “disappearance, ” Vincent Kartheiser her estranged son, Juno Temple her devoted granddaughter, Sally Kirkland her religious, long-suffering mother.
And in what would turn out to be one of his last performances, Peter Fonda plays a popular TV preacher and foil for America’s most famous — and infamous — atheist, the woman whose lawsuits pushed the encroaching doctrinaire Christianity that had been brought into schools and government more recently than those who screamed “It’s tradition! We’ve always had prayer in schools!” would have you believe.
The right players were in place, but the movie is a choppy, incomplete biography built around a one-note — shrill to the point of shrieking — performance.
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And the director “An American Crime” and “Ella Enchanted” turns the third act into a grim snuff film that cannot help but give perverse pleasure to those who hated her and threatened her life for over 30 years.
Baltimorean Madalyn Murray was a born “non-conformist” from the start. Raised in a religious household (Ryan Cutrona plays the father she curses out at some point during every religious debate), she’d had her son out of wedlock in an era where that wasn’t tolerated. She had a law degree, but found finding suitable employment impossible in 1950s Baltimore.
Whatever she was before we meet her in the movie, that experience helped turn her into a zero-tolerance misanthrope. But her anti-racism stance got her on TV, and that led to social work
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